{
  "method": "Built-in image_gen. Six separately generated editorial infographic still lifes; no authentic archival photographs implied. Exact accessible values and citations supplied separately in HTML by integrator.",
  "style": "A coherent bright daylight editorial still-life series: warm ivory rag paper, translucent cobalt-blue acrylic, cream ceramic, subtle citron accent, realistic tactile materials and restrained soft photographic shadows. Airy sophisticated contemporary magazine art direction, compatible with the episode's translucent-blue-computer hero. Generous margins, exact large numbers, concise visible labels. No people, no fake archival photography, no icons, no ornamental slogans, no company logos, no tiny source footnotes.",
  "assets": [
    {
      "filename": "computer-industry-2012-2026.png",
      "subject": "Positive views of the computer industry",
      "numbers": [
        {
          "year": 2012,
          "value": "73%"
        },
        {
          "year": 2026,
          "value": "48%"
        }
      ],
      "prompt": "Create a polished portrait 4:5 editorial infographic that looks like a beautifully photographed physical still life on warm ivory rag paper in clean morning daylight. This belongs to a coherent series using translucent cobalt-blue acrylic, warm cream ceramic, a restrained citron-yellow accent, and soft natural shadows; a subtle translucent blue desktop-computer-shell edge may appear far behind the objects. Two equally sized cream paper number cards sit vertically one above the other in one translucent blue acrylic display frame filling the middle and lower two-thirds. Leave generous space between the two cards. The earlier date and number occupy the upper card; the later date and number occupy the lower card. Deliberate graphic typesetting on the paper is crisp, perfectly legible deep cobalt, not handwriting. Title printed large in the upper-left, exactly: 'The computer industry'. Subheading exactly: 'Positive views'. The upper card has the small date '2012' above the enormous number '73%'. The lower card has the small date '2026' above the enormous number '48%'. The numbers dominate and occupy most of each card. Small cobalt arrow between the two cards signals time passing downward, not a scaled chart; the cards themselves are equal size. Contemporary Swiss magazine precision with playful tactile 1990s translucent-plastic nostalgia. Straight-on with very slight overhead view; sophisticated real photographic material and light, not a cartoon or flat vector icon. Frame every card and all text with generous clear margins; no text cropped; no extra words, no fake source, no people, no branding, no watermark. No decorative flowers or unrelated props. Deliver one finished cohesive graphic, not a mockup containing multiple options."
    },
    {
      "filename": "data-center-opposition-2025-2026.png",
      "subject": "Registered voters opposed to a data center near their home",
      "numbers": [
        {
          "date": "August 2025",
          "value": "42%"
        },
        {
          "date": "August 2026",
          "value": "75%"
        }
      ],
      "prompt": "Create a polished portrait 4:5 editorial infographic that looks like a beautifully photographed physical still life on warm ivory rag paper in clean morning daylight. This belongs to a coherent series using translucent cobalt-blue acrylic, warm cream ceramic, a restrained citron-yellow accent, and soft natural shadows. Two equally sized large upright cream paper number cards rest in a single low translucent blue acrylic holder across the bottom half, with a faint architectural grid on a small ivory sheet lying behind them, no identifiable real place. Deliberate graphic typesetting on the cards is crisp, perfectly legible deep cobalt, not handwriting. Title printed large in the upper-left, exactly: 'A data center next door?'. Subheading exactly: 'Registered voters opposed'. The upper card has the small date 'AUG 2025' above the enormous number '42%'. The lower card has the small date 'AUG 2026' above the enormous number '75%'. Numbers dominate and occupy most of each card. A small cobalt arrow between the two cards signals time passing downward, not a scaled chart; the cards themselves are equal size. Contemporary Swiss magazine precision with playful tactile 1990s translucent-plastic nostalgia. Straight-on with very slight overhead view; sophisticated real photographic materials and light, not a cartoon or flat vector icon. Frame every card and all text with generous clear margins; no text cropped; no extra words, no fake source, no people, no logos, no watermark. No decorative flowers or unrelated props. Deliver one finished cohesive graphic, not a mockup containing multiple options."
    },
    {
      "filename": "technology-positive-effect-2015-2019.png",
      "subject": "Technology companies have a positive effect on the country",
      "numbers": [
        {
          "year": 2015,
          "value": "71%"
        },
        {
          "year": 2019,
          "value": "50%"
        }
      ],
      "prompt": "Create a polished portrait 4:5 editorial infographic that looks like a beautifully photographed physical still life on warm ivory rag paper in clean morning daylight. Coherent palette: translucent cobalt-blue acrylic, warm cream ceramic, restrained citron-yellow accent, soft natural shadows. Two equally sized cream paper number cards sit vertically one above the other in one translucent blue acrylic display frame filling the middle and lower two-thirds. Leave generous space between the two cards. The earlier date and number occupy the upper card; the later date and number occupy the lower card. Deliberate graphic typesetting is crisp, perfectly legible deep cobalt, not handwriting. Title printed large in the upper-left, exactly: 'Technology companies'. Subheading exactly: 'A positive effect on the country'. Upper card: small date '2015' above enormous '71%'. Lower card: small date '2019' above enormous '50%'. The numbers dominate and occupy most of each card. A small cobalt arrow between them signals time passing downward, not a scaled chart; the cards themselves are equal size. A single pale citron sheet peeks out beneath the blue holder. Contemporary Swiss magazine precision with tactile 1990s translucent-plastic nostalgia. Straight-on with very slight overhead view; sophisticated real photographic materials and light, not a cartoon or flat vector icon. Every card and all text have generous clear margins. No cropped text, extra words, fake source, people, logos, watermark, decorative flowers, or unrelated props. Deliver one finished cohesive graphic, not a mockup containing multiple options."
    },
    {
      "filename": "large-tech-confidence-2020-2026.png",
      "subject": "Confidence in large technology companies",
      "numbers": [
        {
          "year": 2020,
          "value": "32%"
        },
        {
          "year": 2026,
          "value": "20%"
        }
      ],
      "prompt": "Create a polished portrait 4:5 editorial infographic that looks like a beautifully photographed physical still life on warm ivory rag paper in clean morning daylight. Coherent palette: translucent cobalt-blue acrylic, warm cream ceramic, restrained citron-yellow accent, soft natural shadows. Two equally sized cream paper number cards sit vertically one above the other in one translucent blue acrylic display frame filling the middle and lower two-thirds. Leave generous space between the two cards. The earlier date and number occupy the upper card; the later date and number occupy the lower card. Deliberate graphic typesetting is crisp, perfectly legible deep cobalt, not handwriting. Title printed large in the upper-left, exactly: 'Confidence in big tech'. Subheading exactly: 'Large technology companies'. Upper card: small date '2020' above enormous '32%'. Lower card: small date '2026' above enormous '20%'. The numbers dominate and occupy most of each card. A small cobalt arrow between them signals time passing downward, not a scaled chart; the cards themselves are equal size. The holder has a subtle frosted curved edge reminiscent of a translucent blue computer case, and a single pale citron paper tab. Contemporary Swiss magazine precision with tactile 1990s translucent-plastic nostalgia. Straight-on with very slight overhead view; sophisticated real photographic materials and light, not a cartoon or flat vector icon. Every card and all text have generous clear margins. No cropped text, extra words, fake source, people, logos, watermark, decorative flowers, or unrelated props. Deliver one finished cohesive graphic, not a mockup containing multiple options."
    },
    {
      "filename": "organ-donors-may-2012.png",
      "subject": "Organ donor registrations when Facebook introduced donor status",
      "numbers": [
        {
          "date": "May 1, 2012",
          "value": "13,054 registrations"
        },
        {
          "comparison": "daily average",
          "value": "21×"
        }
      ],
      "prompt": "Create one polished landscape 3:2 editorial infographic that looks like a beautifully photographed physical paper-and-acrylic still life in warm bright morning daylight. It belongs to a sophisticated series with warm ivory rag paper, translucent cobalt-blue acrylic, cream surfaces, a restrained citron accent and soft natural shadows, inspired by early social-web optimism. Absolutely no people or medical imagery. A beautiful oversized ivory calendar leaf held by a translucent blue acrylic desk stand sits left of center, completely readable and upright with a very slight overhead camera. Crisp deep cobalt printed title across the upper-left reads exactly 'One day. Thousands of donors.'. On the main calendar leaf print the date exactly 'MAY 1, 2012', then huge bold type '13,054', then smaller clean label 'organ donor registrations'. To the right a separate smaller ivory card with a pale citron edge reads very large '21×' and below it 'the daily average'. A small tidy stack of registration-form paper behind the calendar hints at collective action without tiny fake text. Large beautiful typography, tactile realistic paper and plastic, restrained premium magazine art direction. Keep all numbers and words inside generous safe margins, no cropping. No icon heart, no blood drop, no real social-media logos, no fake footnotes, no extra claims or words, no watermarks. Not cartoon, not vector illustration, not a generic dashboard. Deliver one finished graphic."
    },
    {
      "filename": "als-ice-bucket-2013-2014.png",
      "subject": "ALS Association fundraising during the same July 29–August 29 window",
      "numbers": [
        {
          "date": "July 29–August 29, 2013",
          "value": "$2.8M"
        },
        {
          "date": "July 29–August 29, 2014",
          "value": "$100.9M"
        }
      ],
      "prompt": "Create one polished landscape 3:2 editorial infographic photographed as a bright clean physical still life on warm ivory rag paper. It belongs to a sophisticated series with translucent cobalt-blue acrylic, cream paper surfaces, a restrained citron accent and soft morning-daylight shadows. Crisp large deep cobalt typography at upper-left reads exactly 'The Ice Bucket Challenge'. Below it a concise subtitle reads exactly 'ALS Association fundraising'. Two equally sized upright large ivory number cards sit in one low translucent blue acrylic holder across the bottom half. Left card: date '2013' above large '$2.8M'. Right card: date '2014' above large '$100.9M'. Make the entire dollar figures very large, complete and clearly legible; the right card must be wide enough for '$100.9M'. Below both cards, a clean printed line on the ivory surface reads exactly 'JULY 29–AUGUST 29 · SAME DATES, ONE YEAR APART'. A small cobalt arrow between the cards denotes time, not a scaled chart. At the far upper-right, a small translucent-blue cylindrical bucket with a few clear melting ice cubes gives a restrained tangible link to the challenge; no spills on the text, no person, no staged archival photo. Premium tactile magazine still-life lighting, realistic paper, acrylic and ice, almost straight-on with slight overhead view. Every number and word within generous safe margins. No cropped text, no fake source or logos, no watermarks, no extra text, no decorative unrelated props. Deliver one cohesive finished graphic, not a mockup with options."
    }
  ]
}